Archive for the ‘Asians Behaving Badly’ Category

Asian Male Takes Hostages at Discovery Channel HQ (and Comparisons to Virginia Tech)

James Lee, a militant environmental activist, was killed by police after taking hostages at the Discovery Channel HQ this afternoon.

I completely missed the ongoing news drama today (work, work, work), so I’m a little late blogging on this.

Turns out that earlier this afternoon, a gunman stormed into Discovery Channel headquarters in Silver Springs, Maryland. The gunman had silver cannisters taped to his torso (believed initially to be explosives), and took three male hostages in the lobby of Discovery Channel HQ. Apparently the gunman’s grievances involved believing that humans are “filthy, destructive, polluting creatures” responsible for destroying the environment, and that the Discovery Channel encourages “the birth of more parasitic human infants” — (I guess he was talking about reality television shows like Birth Day aired by Discovery Health that follow pregnant mothers about to give birth).

Oh, yes, and the gunman was an Asian male named James Lee. Great.

When I first caught the headline half an hour ago on the CNN homepage, I experienced the familiar feeling of holding my breath and hoping that this Lee wasn’t Asian. Sadly, I was wrong. As we learn more about James Lee, the more we see the familiar story of an Asian guy with severe mental issues falling between the cracks, and losing his life because of it. In fact, it’s a little eerie how similar Lee’s story is to that of Seung-Hui Cho, the Virginia Tech gunman who slaughtered over thirty college students in 2007.

Seung-Hui Cho, the gunman of the Virginia Tech Massacre.

The similarities extend far beyond the shared demographics of the gunmen (sorry Angry Asian Man, I am making the connection — but hopefully I’ll demonstrate that it’s not just an easy comparison based on the whole race thing…). Both Lee and Cho displayed a marked hatred of humanity. In Cho’s case, he railed against fellow college students, whom he described as “brats”, “charlatans” and “snobs”:

“You had everything you wanted. Your Mercedes wasn’t enough, you brats. Your golden necklaces weren’t enough, you snobs. Your trust fund wasn’t enough. Your vodka and cognac weren’t enough. All your debaucheries weren’t enough. Those weren’t enough to fulfill your hedonistic needs. You had everything,” MSNBC.com quoted Cho as saying.

Lee’s manifesto and other writings are also available online, through blogs, forum posts, and his MySpace page. In them, Lee also demonstrates a strong antipathy for humanity, advocating forced sterilization to decrease the human population and railing against “anchor babies” (…way to go, Republicans and Fox News…). He writes: 

Humans are the most destructive, filthy, pollutive creatures around and are wrecking what’s left of the planet with their false morals and breeding culture.

Both Lee and Cho used new media to release their twisted rants to the media. Cho sent a “multimedia manifesto” containing videos, text and photographs to MSNBC on the morning of his rampage; it was actually dropped into the mail while Cho walked to the building where he staged his rampage. Lee’s writings are collected from years of blogging and forum posting, but are nonetheless both public and multimedia in nature. In both cases, it’s clear that Lee and Cho felt unheard and used whatever means they had at their disposal to force a dialogue on their issues.

Both Lee and Cho demonstrated mental health issues in their final, violent stand-offs (although, arguably, what kind of gunman doesn’t have mental issues?). Importantly, both Lee and Cho had encounters with mental health professionals, and in neither case were Lee or Cho properly diagnosed and treated. Cho was assessed by psychiatrists in 2005 – two years before the Virginia Tech massacre — and identified as potentially posing ”an imminent danger to himself or others”, yet he was recommended only for outpatient treatment. Cho failed to comply with that order, and it was never followed up on, allowing Cho to slip through the cracks and spiral further out of control due to lack of therapy and mental care. Lee was arrested in 2008 after a protest on the sidewalk outside of Discovery Channel headquarters where he threw money in the air causing a public disturbance. While in jail, Lee was assessed by psychiatrists but claims he was not diagnosed with any mental disorder.

”I told them my idea of saving the planet,” Lee was quoted in the Gazette. ”They couldn’t find anything wrong with me.”

Yet, Lee clearly suffered from undiagnosed mental issues. Aside from the rambling, hate-filled manifesto that has been published online, hostage negotiators reported today that Lee appeared to be severely troubled.

Manger said hostage negotiators negotiated for almost four hours by phone with Lee while police officers watched and listened to Lee on the building’s surveillance system.

“At times during the negotiations, he was calm, but I wouldn’t call him lucid. The conversation was indicative to me he was dealing with some mental issues,” he said.

Cover art for Daniel Quinn's book, "Ishmael".

Finally — and perhaps weirdest and most disturbing — both Cho and Lee appear to have some sort of connection with the name “Ishmael”. Ishmael is Abraham’s son in the Hebrew bible and the Qu’ran, who was hated and eventually exiled based on the circumstance of his birth. “Ishmael” is also the name of a 1992 novel by Daniel Quinn (and is referenced in two subsequent books) that recounts a dialogue between a gorilla (Ishmael) and a human. Through their interaction, the unnamed narrator of the book learns of Ishmael’s belief that humans have a responsibility to care for the planet and its inhabitants, rather than to pillage and consume it. 

In 2007, it was revealed that Seung-Hui Cho wrote “Ax Ishmael” on his arm immediately prior to his rampage, and that his “multimedia manifesto” had a return address to “A. Ishmael”, suggesting that Seung-Hui Cho was trying to reinvent himself in reference to either the biblical figure or the 1992 Quinn novel’s primate protagonist. Jason Godesky of Anthropik Network (who has read Quinn’s novel and is familiar with its themes) argues that Cho’s actions indicate he never read “Ishmael”, and that he carried himself in direct conflict with the book’s message of peace and self-discovery, fueling further controversy over whether Cho’s “Ax Ishmael” alter-ego referenced the Hebrew bible or Daniel Quinn’s book.

Lee also, apparently, had a connection with the name “Ishmael”, although in this case it is clear that he is referring to Quinn’s novels. Lee recounts in his writings that reading Quinn’s “Ishmael” was a transformative experience for him:

Lee said he began his crusade to save the planet after being laid off from his job in San Diego and reading ”Ishmael,” a novel by Daniel Quinn about a gorilla that tells a man what it is like to live in captivity in a world where humans exploit natural resources.

Lee said he then felt an ”awakening,” watched former Vice President Al Gore’s documentary ”An Inconvenient Truth,” and decided he had been doing too little to protect the environment.

Now, I’m not saying that Daniel Quinn’s book causes Asian men to go on shooting sprees. What I am noting is how the name Ishmael, whether in reference to the Hebrew bible or Daniel Quinn’s gorilla, symbolizes alienation, oppression, powerlessness, and moral redemption, and how these themes resonated with both shooters. Could it be that Asian males suffering from destructive mental health issues specifically — and uniquely – identify with these same themes?

In any event, if there was any more evidence needed that there is a huge health disparity between Asian Americans and the rest of the population, this is it. Less than ten years ago, findings from one of the first and most comprehensive studies conducted on Asian American mental health were published by the National Institute of Mental Health. In it, Asian Americans are identified as having lower rates of mental health concerns – but that is coupled with substantially lower rates of seeking treatment. (This begs the question — do Asian Americans have lower rates of mental health, or lower rates of being diagnosed with mental health problems?)

Usage of mental health treatment is reduced in Asian American populations, from API Info Net. Click image for source.

Researchers have identified several potential factors that appear to discourage Asian Americans from seeking mental health treatment, including cultural stigma and language barriers. Other studies have shown that, despite the lower rates of mental illness among Asian Americans, the suicide rate in the APIA community (5.75 deaths out of 100,000) is higher than that of other ethnic groups. Furthermore, elderly Asian American men experience a suicide rate nearly four times the overall community average (27.95 deaths out of 100,000), and the suicide rate amongst Asian American women rankest highest amongst females of any other ethnic group.

In short, this is a problem, folks. A real problem. A we-can’t-afford-to-ignore-this problem.

Thankfully, unlike with the Virginia Tech Massacre, no one was killed in today’s hostage situation except the gunman, James Lee. But it would still be a tragedy to forget the lessons that could be learned from today’s drama: we should not learn to hate or fear Asian males (or to stereotype them as violent offenders prone to shooting sprees), or to subscribe to Lee’s misguided beliefs involving forced sterilization. But, rather than to fear the inevitable comparisons between Seung-Hui Cho and James Lee (and to lament yet another story that paints Asian folks as the bad guys), we can instead use this incident to start a national dialogue about mental health issues that are proven to exist within the Asian American community precisely because we don’t like to identify those patterns or associate ourselves with those problems.

Hopefully today’s events can teach us to be more cognizant of mental health issues and how they are socially and culturally stigmatized — particularly in the context of the Asian American community. We can and should do more to raise mental health awareness amongst Asian Americans, and to support and promote non-profit and federal efforts to improve diagnosis and treatment of mental illness in Asian American patients.

TMZ Has “K-Town” Cast Video

TMZ has a “K-Town” cast video to go along with the leaked Facebook images. It’s truly as crazy as we thought:

Click the picture to open the video in a new window. Why? Because TMZ sucks and won't let me embed the video.

Now that we have moving images of these eight people, I think I was mostly right about the cast… except for Scarlet and Jasmine. I called Scarlet as the sane Girlfriend archetype with Jasmine as the Nympho, but I was totally wrong. Scarlet may have the role of The Nympho, while Jasmine may be the sanest one of the girls (a female version of The Class Clown?).

Other stuff we saw in the video: I totally called Steve as the normal nice guy (he must’ve been the one to get off at the wrong subway stop), Joey may be a little too pleasant to ‘roid rage (so, strictly tail-chasing?), Violet and Jennifer (I think) are already feuding (Violet’s a hair-puller at the end of the clip!), and could Jennifer have a drinking problem?

K Town: Giving the Bird to the Model Minority Myth

 
These are true Asian American heroes — bustin’ the model minority myth one shot of Grey Goose at a time.
 

Y’know what would really give the middle finger to that pesky stereotype that Asian Americans are goody-goody math nerds? Tyrese (aka Black Ty) has the answer: a Jersey Shore-style reality show following the booze-fueled antics of eight ridiculously good-looking Asian Americans being the trashy, promiscuous, melodramatic, and shallow people we’ve come to expect from MTV.

Damn. Why didn’t we think of it sooner?  

ChannelAPA reports that filming of a pilot for the proposed series, tentatively titled “K Town”, took place this past weekend in L.A.’s Koreatown. Eight Asian American twenty-somethings — four male and four female — partied at several local establishments, taking part in stereotype-busting activities like binge-drinking, shirt-stripping, and karaoke.

And in the tradition of such high-brow fare as Real World and Jersey Shore, K Town looks to have chosen its cast based around the same 7-8 archetypes developed since the first fateful day when seven strangers were picked to live in a house and have their lives taped.

This is all just my speculation, based on superficial generalization and assumptions from the shoot photos “leaked” onto Facebook, but let me know if you think I might be onto something here.

THE GUYS

The All-American Jock
This guy has incredible upper-body definition, and the classic Asian guy ‘do (fade around the sides, spikes up front). He’s gonna be the sorta shy “nice guy with the amazing body” that the girls will lust after, ‘cuz he doesn’t know his own pretty.
Played this season by: Peter Le

Peter Le

The Class Clown
What he lacks in “good guy charm” he makes up for by being the entertainer — which involves shoving alcohol down the throats of all his castmates. Don’t worry, his flamboyance hides his secret insecurity and inner geekiness.
Played this season by: Young Lee

Young Lee

The Playa
What he lacks in muscle-rippling physique (and he would argue that’s all relative), he more than makes up for in game. When he’s not chasin’ tail to prove his manliness, he’s ‘roid ragin’… to prove his manliness.
Played this season by: Joe Sugil Cha

Joe Sugil Cha

The Playa Hatah
Desperately trying to compete with the other larger-than-life personalities, this is the guy who thought he was jock-ish, clown-ish, or playa-ish enough to be on the show… until he met the rest of the cast. But he’s too sensitive, too funny, or generally too much of a real person to be on this show, so he’ll fade into the background by episode three (and only re-surface when he has something catty to say in the Confessional). Don’t worry, tho’ – the playa hatah is either completely forgotten, or ends up being the secret fan favourite. 
Played this season by: Steve Kim

Steve Kim

THE GIRLS

The Princess
This is the girly-girly chick that all the guys on the show — and all the show’s male fans — wish they could boink. She likes bikinis and shopping, spends half her on-screen camera time in the communal bathroom, and is possibly just a little bit whiny. The Playa Hatah or the Class Clown may have a crush on her, but she will probably end up hooking up with the All-American Jock by episode 6, followed by relationship angst for the rest of the season.
Played this season by: Jennifer Field

Jennifer Field

The Sassy Drama-Queen
She stirs up drama like it’s her second job. Count on her to say the shit no one else would say about her castmates, and possibly to get into a screaming match with anybody who challenges her. Her arch-nemesis is usually The Princess. She could be a hair-puller, or even a biter. She might also be the one to dance on the bar by the end of the night.
Played this season by: Violet Kim

Violet Kim

The Nymphomaniac
No season of reality TV is complete without a Tila Tequila-type girl who just loves having fun – with her castmates, with producers, with random people she meets in the club. The All-American Jock may try to save her from her hypersexualized ways with soulful conversation, but she’ll probably be too busy in the hot tub with the Playah to notice. Don’t worry though, her free spirit tendancies also make her the most fun castmember on the show. She’s possibly also a nudist.
Played this season by: Jasmine Chang

Jasmine Chang

The Girlfriend (With the Off-Camera Boyfriend)
Often, this is the level-headed girl who seems to have gotten off at the wrong subway stop and found herself on the set with seven drunk morons. She’ll be the most rational and reasoned — which means that the camera will quickly forget about her. If she doesn’t have hormone-soaked drama involving cheating on her off-camera  boyfriend with an on-camera roomie (which is what all the producers are hoping for), she’ll end up spending most of her time sneaking away with the Playah Hatah for a smoke on the patio to lament how she ended up in a house full of crazy people. If she does end up having monogamy issues, count on her to rack up the most time in the phone booth room having very long, awkward, tear-soaked conversations with a disembodied male voice.
Played this season by: Scarlet Chan

Scarlet Chan

 So far, K Town is just a pilot shopping for a home. I’m sure we’re all waiting with bated breath to see if it gets picked up.

M. Night Blames Everyone But Himself

"They're aware that I'm Asian, right?" Oh -- I didn't realize that Asian-ness comes with a "get out of racism for free" card. My bad.

M. Night Shyamalan took an interview with the Washington Post where he reiterates much of the same “blame anime, not me”  and “where’s my cookie for making the most culturally diverse film of all time?” rheoric that we’ve seen in earlier interviews in regards to Racebending.com. Here’s the relevant excerpt:

JC: I know you’ve gotten this question quite a bit, but I have to ask it because — I’m sure other members of the press have told you this, too – I’ve been getting a lot of e-mails from the members of the Racebending group, especially in the days leading up to the release of this film. And again, they’re expressing their concerns about the lack of Asian or Asian-American actors cast in the film. What is your response to that at this point? Do you have anything further to say on that issue?

MNS: They’re misguided.

JC: Okay–

MNS: They’re aware I’m Asian, right?

JC: I would think so.

MNS: And that Dev [Patel]’s Asian, and Assif [Mandvi]’s Asian, and everybody’s, I mean – it’s incredible to think that there’s a correct Asian here. They don’t own this series. They don’t own all these cultures. The word Avatar is a Sanskrit word. So it’s all cultures that are put together. There’s no correct background here. They should ask: why does Noah Ringer look like a duplicate – a duplicate – of the cartoon guy? Why? He’s a dupe.

Anime is based on ambiguous facial features. It’s meant to be interpretive. It’s meant to be inclusive of all races, and you can see yourself in all these characters. My daughter saw herself as Kitara and now her friend who’s Hispanic sees herself as Kitara, and that’s totally valid. This is a multicultural movie and I’m going to make it even more multicultural in my approach to its casting. There’s African-Americans in the movie … so it’s a source of pride for me. The irony that they would label this with anything but the greatest pride, that the movie poster has Noah and Dev on it and my name on it. I don’t know what else to do.

JC: Does it offend you that they’re defining Asian in what you perceive as a limited way when you consider yourself Asian?

MNS: I think it’s convenient for their argument. Their issue isn’t with me. Their issue is with the artists that invented anime. The story of “The Last Airbender” is an ambiguous story. These cultures are not defined. There is no Inuit woman who looks like Kitara. That’s not the reality of things. That’s not the way they’re drawn. Talk to the people who drew them. So you’re talking to the wrong person. I’m actually doing a very culturally diverse movie. In fact, I believe it’s the most culturally diverse tent pole movie ever made. And the series will be, if we’re lucky enough to make all three, without a peer — without a peer — one of the most culturally diverse movies ever made. It doesn’t have, like, a token person. The entire landscape will be ethnically diverse. That’s the entire point of the series.

I just can’t even believe that having achieved this – I’m the one that fought to get this movie made – having to do all of this and the opportunities I’m getting to do this in this way, and bring all these cultures to the table and all these ideas to a mass audience. 85 percent of the audience will have not seen the show. Right? Around the world. And I’m going to introduce them to all of this. Like the Uncle Iroh character is literally the wisest person in the movie and I believe Shaun Toub [the actor who plays him] is Persian. I forget where he’s from, but he’s clearly not white. On and on.

And Dev is what the movie’s about, his character, where he goes is what the movie’s about. Just that I have to defend this is — it’s outrageous.

I love the “Dev Patel’s Asian — how dare you call me racist?” statement that starts off this new tirade. Classy, Mr. Shyamalan, classy.

M. Night Shyamalan is Kind of Sucking Right Now

I shamelessly stole this picture from Angry Asian Man. Why? Because it is hilarious. Sorry Phil!

Phil, of Angry Asian Man, had a chance to screen The Last Airbender last night, which seems like a good idea considering how much hullabaloo has surrounded the film. Here’s an excerpt:

the last airbender: this movie could boycott itself

I have seen The Last Airbender movie. Let me be clear: I did not pay to see it. But the screening opportunity came up, so I watched it — I’ve talked about the film enough, I figured I should at least see it for myself. And now I share my observations with you:

My one-word review via Twitter, immediately after watching the film: joyless. Overall, The Last Airbender completely lacks soul, and suffers from a painful inability to inspire any kind of fun or awe throughout the entire movie. I thought I’d at least enjoy the visual effects, but that fails to impress too. Even setting aside the problematic racial politics, this is just not a good movie.

M. Night Shyamalan attempts to adapt the entire storyline of season one (Book 1: Water) into this movie (the first of a planned trilogy). Having seen and enjoyed the animated series, I’m aware that this is no small feat. Unfortunately, overall, the plan fails. It’s supposed to be epic, but the whole thing feels clunky, rushed and at times incomprehensible. You might not have to boycott this movie — it’s so bad, it could boycott itself.

read more

Not having ever seen a single second of the cartoon, I’m in no danger of stumbling into theatres for this one. My “boycott” of Last Airbender carries little water — I would never have been interested in seeing the movie anyways.

That being said, I do support the “boycott Last Airbender” movement that’s circulating the Internets — mainly because M. Night Shyamalan is proving himself to be a downright idiot. After catching wind of the Racebending.com-led boycott, Shyamalan lost his ever-lovin’ mind in a recent interview.

Here’s Shyamalan’s full rant on the subject of race and The Last Airbender:

Q: There’s been a lot of controversy regarding the casting and how all the heroes are being portrayed by Caucasian actors, while all the villains are all being portrayed by non-Caucasians. How do you respond to those who are saying that The Last Airbender is racist?

M Night Shyamalan: ‘Well, you caught me. I’m the face of racism. I’m always surprised at the level of misunderstanding, the sensitivities that exist. As an Asian-American, it bothers me when people take all of their passion and rightful indignation about the subject and then misplace it. Here’s the reality: first of all, the Uncle Iroh character is the Yoda character in the movie, and it would be like saying that Yoda was a villain. So he’s Persian.

 And Dev Patel is the actual hero of the series, and he’s Indian, OK? The whole point of the movie is that there isn’t any bad or good. The irony is that I’m playing on the exact prejudices that the people who are claiming I’m racist are doing. They immediately assume that everyone with dark skin is a villain. That was an incredibly racist assumption which as it turns out is completely incorrect.

There are four nations, and I had to eventually make a decision about what nationality each of them are. What happened was, Noah Ringer walked in the door – and there was no other human being on the planet that could play Aang except for this kid. To me, he felt mixed race with an Asian quality to him. I made all the Air nomads mixed race – some of them are Hispanic, some of them are Korean. Every monk you see in a flashback, in that world, are all mixed race because they’re nomadic. I felt that really worked as a culture. OK, so that’s one-quarter of our world population. The second group is the Fire Nation; when Dev was cast as Zuko, I said, OK, I have to cast an Uncle Iroh that looks like his uncle. We’re going to go from Indian/Persian to Mediterranean, all that group with all its darker colors including Italians.

So now we’re at one-half of the population of the movie which is not white.

Moving on to the third group, which is the Earth kingdom (which is the biggest kingdom in this fictional world): I liked a bunch of the people who happened to be Japanese, Korean, Philippine, so I decided to make the Earth kingdom Asians. Now we’re at three-quarters of the world. Now I have the brother and sister left. If you don’t have an edict of “don’t put white people in the movie” then the Water tribe can be European/Caucasian. So that’s how it ended up.

Here’s the irony of the conversation: The Last Airbender is the most culturally diverse movie series of all time. I’m not talking about maybe one Jedi, maybe one person of a different color – no one’s even close. That’s a great pride to me. The irony of this statement enrages me to the point of … not even the accusation, but the misplacement of it. You’re coming at me, the one Asian filmmaker who has the right to cast anybody I want, and I’m casting this entire movie in this color blind way where everyone is represented. I even had one section of the Earth kingdom as African American, which obviously isn’t in the show, but I wanted to represent them, too!

And I fought like crazy to have the pronunciation of the names to go back to the Asian pronunciation. So you say “Ahng” instead of “Aaang” because it’s correct. It’s not “I-rack,” it’s “ee-Rock.” I’m literally fighting for all this. And who’s getting blamed? ME! This is incredible. And so it’s infuriating, this stigmatization, that the first word about the most culturally-diverse movie of all time is this accusation. And here’s the irony of it, this has nothing to do with the studio system. I had complete say in casting. So if you need to point the racist finger, point it at me, and if it doesn’t stick, then be quiet.

Whenever we’re on set, it’s crazy, I love it. We’re in our cafeteria, it looks like the United Nations in there! And you’re not supposed to be thinking about this because it’s so diverse. And again, this is what really frustrates me, when we get to the second movie (hopefully), since its based in the Earth Kingdom, suddenly the movie will seem entirely politically correct Asian, and the accusers will feel like they won. YOU DID NOT WIN! YOU DID NOT WIN! That’s not what happened, you were wrong. As you can tell, it’s a frustrating thing. Look at the movie poster with Dev Patel in it. I’m not understanding … he’s not politically correct?

I could go on for half an hour on that subject … in the end it’s like that saying, “The road to hell is paved with good intentions.”

At the basis of this, a fascinating thing, it didn’t even occur to me until the first mention of this came up: The art form of Anime in and of itself is what’s causing the confusion. The Anime artists intentionally put ambiguous features on the characters so that you see who you want to see in it. It’s part of the art form. My daughter looks identical to Katara; I saw my family in that series when I was watching it, I saw them in the faces. I’m sure that every household feels the same way in that they see their own families in them. It’s a fascinating thing about how people perceive it. If there’s an issue with why Anime does not put particularly specific Asian features from the PC Asian types that people think should be there … take it up with Anime animators. It has nothing to do with me.’

Let’s parse this out, shall we?

First of all, no one claimed that M. Night Shyamalan was “the face of racism”. For the most part, race activists have questioned the casting of The Last Airbender, specifically asking why the casting agents specifically sought out a Caucasian actor to play the role. They want to know why Katara and Sokka are also played by white actors, and why the Fire Nation (which is war-mongering and violent) was re-cast as dark-skinned. Personally, I don’t think Shyamalan was being racist — I think he was oblivious to the larger implications of his attempts to be racially inclusive while still have White leading characters. Shyamalan’s not guilty of being racist, he’s guilty of being kinda dumb on this one. That being said, a lot of this sounds like Shyamalan’s having a Kanye West moment: he’s pissed he’s not being recognized by race activists for making “the most culturally diverse movie series of all time”, so he’s doing the film director equivalent of stealing the mic from Taylor Swift.

"I'm really happy for you, Taylor, but I just had to say, I had one of the most culturally diverse movie series of all time."

I really have no comment on whether or not Dev Patel’s character in the Avatar  series is a hero or a villain, having never watched the cartoon. I know that the Fire Nation — the primary villains of the trilogy — are cast as the Big Bad, and they are brown. Can you have not-so-bad bad guys who are brown? Sure. But that doesn’t get around the visual of the Big Bad whom the hero is fighting being inexplicably brown-skinned (particularly when they are light-skinned in the cartoon). And guess what — it’s not racist to question the perpetuation of a Hollywood trope that casts minorities principally as villains (redeemed or otherwise).

Someone please tell me how a non-mixed race person can have a ”mixed race” feel. Please? Is M. Night Shyamalan arguing that Noah Ringer can pass as ethnically ambiguous? ‘Cuz I really don’t buy that. And, as for whether or not Ringer is ”the only human being on the planet” who could play Aang — Phil is skeptical of that statement.

If Last Airbender 2 comes out, and most of the cast is East Asian because the Earth Kingdom is East Asian, I will not call that a victory. I DID NOT WIN! I DID NOT WIN! (Wait, do we ordinarily get trophies for this kind of thing? Did mine get lost in the mail or something?) I’m familiar enough with the cartoon’s storyline now to accept that if the second movie has a bunch of Asians in it, it’s because M. Night Shyamalan is sticking to his wacky racial casting thing with the four Nations in the storyline. We’re not that stupid, Mr. Shyamalan. But here’s one thing I don’t get (and maybe folks familiar with the cartoon can clue me in): how is it that three of the Nations (Air, Water and Fire) can be cast as cultures sharing a similar race or skin colour (mixed race, Native, and “darker” respectively, according to Shyamalan), but than there’s somehow room in the Earth Nation to include both East Asian and Black people? From an anthropological point of view, from an evolutionary genetics point of view, from a sociological point of view — that doesn’t make sense.

As for anime, jaehwan over at bigWOWO had some discussion about how Asians view the race of anime characters. In short, anime is not “ethnically ambiguous”; the anime art style was originally inspired and influenced by Western animation (specifically Disney). Asians in Asia don’t consider the characters in anime to be White because of the size of their eyes — that would assume that Asians universally see ourselves as small-eyed people (we don’t). In the case of most anime, the minimalism of the facial features provides little racial or ethnic information, and anime style involves large eyes primarily to make characters cuter — since a larger eye-to-face ratio reminds most people of babies.

Sufficed to say, many characters in anime are Asian — which can be determined based on their darker eye and hair colour, and the context of the story). By contrast, Caucasian characters tend to have blonde or red hair, and blue or green eyes – as with Asuka in Neon Genesis Evangelion. So, M. Night has it wrong: anime isn’t ethnically ambiguous, they just don’t provide the racial indicators that Western audiences are familiar with, so Western audiences tend to project a “White default” assumption onto what they perceive as racially ambiguous art styles.

As I said, I am unenthused about The Last Airbender. I’m not going to see it, but I really wasn’t going to see it anyways. But I’m definitely disturbed by how M. Night Shyamalan is showing his true, and kind of self-absorbed asshat, colours.

"Yo! I'm really happy for you, M. Night, and I'ma let you finish, but I just want to say that you might be one of the biggest asshats of all time."

Asian Pop's 2009 Year in Review

2009 — what a crappy year for Asian Americans.

Every year, Jeff Yang contacts high-profile Asian American bloggers (and, inexplicably, me…) to act as muses for his popular (and often hilarious) end-of-the-year wrap-ups. This year was no different, and after compiling my email to him, I toyed with the idea of writing my own end-of-the-year “Best Of/Worst Of” list.

But then, Jeff published his — a far more exhaustive and witty piece than I could hope to come up with. What’s more, he had to put his to verse! I give up, dude, and I bow down to the master!

Here are some choice excerpts:

‘Tis the day before New Year’s, a date that reminds us
Of all that we saw in the year that’s behind us
So to give an assessment that just can’t be ducked
Two-thousand-and-nine? Well, mostly, it sucked

Recession, rescission, Iran and Iraq
Swine flu, banker bailouts, and plummeting stock
Ponzi fraud, acts of God, sky-high unemployment
Not a lot to look back on with too much enjoyment

In fact, all in all, we’d much rather forget
This horrific year; is it January yet?
Oh well, it’s our duty, so let’s start at the top
And review ’09’s “Best and Worst” in Asian Pop

Galactica“’s end put Grace Park fans in shock
(But “Stargate” has Ming-Na’s new lesbian doc)
John Cho lent “Flash Forward” his eyebrows and glare
While in “Star Trek” he sat in George Takei’s old chair

Pixar’s “Up” made us all want to think, laugh and cry
While making a star out of Jordan Nagai
Ong Bak 2” proved that Tony Jaa rules modern action
No one else so creatively puts guys in traction

But the far-from-good “Goods” chose to laugh at hate crime
Hey, at least Ken Jeong works almost all of the time
A half-dozen films in ‘09, plus he’s featured
On the new hit “Community,” as a weird Spanish teacher

Whatever you might think of Reality
At least in those programs, an Asian can be
More or less normal, and still a scene-stealer
Okay, I’m not talking ’bout Tila Tequila

Or the guy for whom Kate plus eight wasn’t enough.
Thanks a lot, Jon Gosselin! Asian dads had it tough
Before you gave tabloids a bailout by cheatin’
And choosing to act like an aging frat cretin

And how about Tiger, golf’s King Cablinasian?
By proving he too has tail-chasing persuasions
He traded his family and billions in green
For fore! play and strokes and, um, holes in 14

(To be fair, Asian mothers aren’t looking much better
What Balloon Mom put Falcon through really should get her
Not just jail time — three weeks in the pen plus probation –
But psych help and a permanent husband vacation.)

This is all just the tip of the iceberg of shame
That we saw in a year for the Lame Hall of Fame
A year in which Texas state Rep. Betty Brown
Made a modest suggestion for our proper nouns

“You Asians have monikers we can’t repeat
Why not change ‘em to something sweet, simple and neat?”
(The person she said this to, named “Ramey Ko
Must have thought, “Even shorter? How low can you go?”)

A year in which immigrant kids in South Philly
Were battered — and told that their fears were quite silly
A year where teen idols chose to honor us Asians
By teaching the “slant-eye” to new generations

Still, we hate to close out the year toasting with whine
So here are a few things we loved in ‘09
Gojira’s the World Series MVP now!
The world’s greatest boxer is Manny Pacquiao!

But, definitely, check out the full article to get a complete dose of Jeff Yang’s awesome.

Also, don’t forget to read the email quotes that went into the making of the article. I especially love how mine are like fourteen-sentences long — God, if that isn’t me, I don’t know what is!

Balloon Boy Parents Go To Jail

Do not pass “Go”. Do not collect $200. Sure as heck, do not get a reality TV show deal.

After executing an ill-conceived plan (that involved lying to cops about their 6-year-old son supposedly being in a weather balloon floating hundreds of miles above ground) to garner sufficient publicity to get a reality TV deal, Richard and Mayumi Heene are facing some jail time.

Larimer County Judge Stephen Schapanski, who chose to adhere to a plea agreement, sentenced Richard Heene to 90 days in custody, to begin January 11. Heene can spend the last 60 days of the sentence in a work release program but must return to the jail at night, the judge said.

Heene will be on probation for four years and must complete 100 hours of community service each year during that period.

Mayumi Heene was sentenced to 20 days in jail — less than the 60 days sought by prosecutors. The judge said her term would begin after her husband’s jail sentence ends, so at least one of them can be with their children during that time.

She was given the option of serving her time over 10 weekends. She also received four years’ probation and must perform 120 hours of community service.

The couple also must pay restitution, but no exact amount was announced in court. The judge ordered that they not benefit financially from the incident.

Cue all the people complaining that they should be punished more severely. After all the monetary damage done by “Balloon Boy” ($47,000 for the search as well as delaying air traffic at the Denver International Airport), as well as the fact that the whole thing was kind of a painful, embarassing train wreck, people are understandably pissy.

“In summary, what this case is about is deception — exploitation of the children of the Heenes, exploitation of the media, exploitation of the emotions of the people — and it’s about money. This was all done for the purpose of making money,” Schapanski said.

The Heenes pleaded guilty last month. Richard Heene was charged with the felony of attempting to influence a public servant, and his wife faced a misdemeanor charge of false reporting to authorities.

Richard Heene’s attorney, David Lane, said his client has expressed remorse and accepted full responsibility for what happened. He tried to convince the judge that Richard Heene didn’t deserve jail time because there was no violence involved.

On his client’s behalf, Lane asked that Mayumi Heene not go to jail.

“That is his primary concern. He has taken full and complete responsibility. Do not send his wife to jail. That is his plea,” Lane said.

According to the wife’s attorney, the couple is hated because of what happened. “It’s nothing that anybody should wish on anyone else,” he said.

But, personally, I think being labelled — forever, pretty much — as being amongst the worst parents in history, we should just call it a day and end the Heene family’s 15 minutes.

And meanwhile, the question that I keep wondering is this: if the “Balloon Boy” hoax was a botched publicity stunt, exactly how was the whole thing supposed to work? Were people supposed to go “Whew, thank God Balloon Boy didn’t fall to his death! Gee whiz, I was so entertained by that big silver balloon, that I want to see this whole family regularly, every Thursday night at 7pm on TLC, right after Jon and Kate”?

Can you get jail time for stupid?

Asians Behaving Badly: Jon Gosselin

jon gosselin

Showbiz Tonight, a celebrity tabloid show, has awarded Jon Gosselin, ex-star of TLC’s “Jon and Kate Plus Eight” with the dubious honour of being 2009’s “Most Provocative” celebrity.

Gosselin, who is half-Korean, is notable for the many embarassing news stories that emerged about his personal life following his split with than-wife Kate Gosselin over the summer. Gosselin went from one of the few (perhaps the only?) examples of a nurturing and loving Asian American father on national television, to typecasting himself as an overgrown frat boy, partying heartily into the wee hours at famous clubs around the world. Gosselin also became known as an excessive flirt, and was romantically linked to several women all of whom were nearly ten years his junior.

It was announced in June that Jon and his wife Kate would be separating following rumors of strife in their marriage. The June 22 show, on which the pair announced they were separating, drew 10.6 million viewers — record ratings for its network, TLC.

Jon dominated tabloid news coverage over the summer with his bad boy behavior, dating a string of younger women and being photographed in New York nightclubs.

But what really put Jon Gosselin over the top, according to “Showbiz Tonight,” was not just his ability to remain in the news, but also his willingness to tell all, including a series of eyebrow-raising answers to questions about his separation and impending divorce and his new relationship with girlfriend Hailey Glassman.

Gosselin told ABC’s Chris Cuomo that he “despised” his estranged wife Kate and described in graphic detail how he felt about Glassman, who he had only been dating for a few months.

“Love her,” Gosselin told Cuomo. “Huge word. It’s like when you look at her my heart pounds. I get sweaty. I feel like I love her more.”

It’s not too often we see a person of colour run the gamut from one stereotypical extreme to another. While I saw pre-divorce Jon Gosselin as a well-adjusted, well-meaning father and a good role model for other Asian American men, it was certainly conceivable to criticize early depictions of Gosselin as emasculated by the stronger personality of Kate Gosselin. But, from this one extreme, Jon Gosselin managed to a complete 180 in a matter of months, and spent much of 2009 perpetuating the stereotype of Asian American men as hypersexualized and irresponsible.

In both cases, Gosselin seems to enjoy playing the role of a dehumanized stereotype — and it’s hard to tell how much of the stereotype is due to media bias, and how much is due to Gosselin’s own bad behaviour.

Asians Behaving Badly: Tufts University

(Hat-Tip: Asian Pacific Americans for Progress)

In a way, on-campus student body elections are a telling glimpse into how important political strategists and marketing people are for politics; every fall semester, we get to see just what happens when a bunch of folks try to run their very own campaigns for campus senate/assembly/etc. Twenty, even thirty, bright-eyed and bushy-tailed wannabe politicians (who think being an elected representative will look great on their law school apps) break out the Crayola chalk and colourful Xeroxs to advertise why they deserve your vote for student representative.

I’m no stranger to the whole process. Electroman ran twice for Cornell University’s student assembly. Once, as a freshman representative, he garnered the most votes of anyone in the race (a vote total virtually unheard of at the time, too!) — all with a risque campaign slogan (“Give a Damn!”) a willingness to skip every class he had for two weeks, and an expensive oil-based chalking that remained on the sidewalk long after the votes were cast (courtesy of yours truly). After his first term as a freshman rep, Electroman gained greater notoriety running as an At-Large representative, the hardest race for student reps to win because they couldn’t limit their campaigning to a single college, but to the entire student body (thus they required a greater number of votes in general in order to win). Electroman came in second after a guy named Uzo (there were four At-Large seats total, so Electroman still got elected in)– and let’s face it, it’s pretty hard to win an on-campus race against a guy armed with buckets of chalk whose name is “Uzo”.

Like a microcosm of real world politics, the name of the game for on-campus elections is distinguishing oneself from the pack. “Uzo” had a distinctive name, Electroman had a great campaign slogan, and others performed on-campus stunts like driving around  in a car emblazoned with his name bassing popular hip-hop music as students left class. One guy campaigned on an all-gyro (yes, the Greek food) platform.

And some minority candidates, seduced by the circus of student campaigns, go racial.

Cornell Republican candidates delighted in writing racist articles in the on-campus student newspaper version of Fox News, attacking Cornell’s minority program houses and lambasting African American studies professors. One Asian American candidate capitalized on the popularity of the movie “Crouching Tiger, Hidden Dragon” and adopted the campaign slogan “Crouching [First Name], Hidden [Last Name]” (which, when put together with her actual name, sounded disturbingly like an advertisement for an all-nude strip club).

And this year, at Tufts University, one freshman Asian American candidate named Alice Pang, in her zeal to be elected to the school’s student Senate, put up posters with the campaign slogan: “Small Person. Big Ideas.”  Next to Pang’s photo, she also wrote “hurrah!”

tufts-posters1

Clearly, Pang is trying to distinguish herself with a play on her status as a vertically challenged person. “She’s little,” says the slogan, ”but she’s oh-so-smart!” Sadly, if that’s not an Asian American stereotype, I’m not sure what is. Ms. Pang’s poster manages to conjure up images of the working stiff, brainy Asian model minority, while simultaneously jamming a short joke in there for good measure. To top it all off, she’s got the inexplicable “hurrah!” — which I’m tempted to believe is a reference to the infamous “Yatta!” catch-phrase of Heroes‘ Hiro Nakamura.

So, if I were a politically conscious Asian American, I’d probably be pretty pissed about Pang’s poster. But, I wouldn’t do do what In-Goo Kwak, another freshman at Tufts University, did.  

I’m not sure if Kwak thought Pang’s poster was hysterical or offensive, but he and a couple of his friends made a parody poster that they printed up and posted around campus.

tufts-posters2

Kwak’s “slogan” is “Squinty Eyes. Big Vision.” and instead of “hurrah”, Kwak has written “kimchi!”, a traditional Korean dish. And, rather than include the “Vote on Thursday” information that Pang has below “2013 Senate”, Kwak wrote “Prease vote me! I work reary hard!”, complete with “r/l” slurring.

Okay, first of all, yes this is a clear  parody of Pang, who shouldn’t come out unscathed in this whole fiasco. But, this is an offensive, racist, parody that only adds flame to the fire. Rather than articulate why Pang’s posters play on racial stereotypes of Asian Americans to distinguish Pang from the crowd of students vying for a seat on the Senate, Kwak came up with a deliberately racist poster that he circulated to the entire student community. The poster is funny — if you think that anti-Asian racism is hilarious.

Kwak defended his poster in an article on Inside Higher Ed

“Though this was a satire of [Pang’s] poster, this was not a personal insult in any way,” Kwak said. “I thought it would be funny to satire the oppressive environment of political correctness at Tufts. I think it’s unhealthy that people feel afraid to express their views. One of the Asians on my hall saw the poster and showed it all over campus and eventually the director of the Asian American Center contacted me, but not one of the students who found this offensive contacted me directly. Instead, they had someone else do it.”

[...]

“People are so afraid to talk about this or to express their support of my poster because they’re afraid of getting in trouble with one of the groups on campus,” Kwak said. “And this is happening on a college campus, where people should be comfortable sharing their views. I mean, I was [comfortable]. I put my name on the poster in big letters. There’s this taboo against the discussion of racial issues. I’m not going to be afraid to talk about them, and I’m not going to back down.”

Arguably, Kwak’s explanation is worse than his poster. Rather than to acknowledge the racism of the poster, Kwak takes a line from the playbook of student Republicans. He’s a martyr for the First Amendment, claims Kwak. Because, really, why shouldn’t he be allowed to spout racist bullshit against his own community in Xerox form?

The problem with that argument is that it’s a no-holds-barred red herring. No one is telling Kwak that he can’t put hatespeech up on a hallway. In fact, university campuses remain one of the few environments where students and faculty have relative freedom in exploring and publicizing unpopular ideas. But, while the First Amendment protects a person’s right to spout unpopular speech, it does not protect you from public mockery and condemnation over the content of that speech (or, by extension, the “fear” of being publicly mocked as a result). The First Amendment establishes a marketplace of ideas, not a provision that the least popular (and most hateful) idea be allowed to exist free of criticism.

So, Kwak is no martyr for the First Amendment. His second charge is that his critics are cowards, who are unwilling to confront him on why they think his poster is offensive. Yet, Kwak was apparently unwilling to write an email to Pang, telling her why he thought her posters were worthy of parody; instead, he took the indirect route of mocking Pang publicly rather than to confront her privately and directly. (Kwak now claims he apologized to Pang directly, but Pang hasn’t commented on the whole fiasco, so maybe Kwak is making that up.)

If he wants direct criticism, here’s my direct criticism. The ”squinty eyes” reference is a direct reference to the monolid eyes of Asians, and has been used countless times in schoolyard fights to denigrate Asian American children. Miley Cyrus, one of the Jonas Brothers, and even two entire sports teams, has been put on-notice by the Asian American community for mocking the so-called Asian “squinty eye” – so turning the ”squinty eye” thing into a joke made by an Asian American against an Asian American not only conjures up painful memories of racism that many Asian Americans faced as children, but also appears to validate the “squinty eye” slur by making a public demonstration that an Asian American does it and finds it funny.

Secondly,  I only presume that Pang’s inclusion of “hurrah!” is a veiled reference to Heroes and “yatta!”. But for all I know, maybe Pang’s favourite word is “hurrah!”. Maybe her middle name is “hurrah!”. Maybe she’s got warm, fuzzy memories of her mother rocking her to sleep with lullabies where every lyric  was replaced with “hurrah” and now this word encapsulates Pang’s entire reason for being. Who knows, and bottom line, who really cares?

Kwak includes “kimchi!” as his random word. Not “toast!”. Not “winnebago!”. Not “scissors!” nor “venison!” nor ”minestrone!” nor some other non-racialized word. No, Kwak chose to use “kimchi!” — a food that has clear references to Asian culture, and as a further emphasis that the poster is designed to mock Asian-ness as much as it is designed to mock Pang. And finally, Kwak uses the “r/l” slurring which makes the poster a clear insult towards Asians by using a joke that has been employed ad infinitum against Asian/Asian American people. What racist comedian and wannabe morning shock jock hasn’t honed their “r/l” slurring as the basis for a sketch where the punchline is how weird Asian Americans are?

There’s been a series of responses from Tufts on the whole fiasco. The on-campus Asian American student group organized a group discussion on Postergate, while Linell Yunagawa, director of the Asian American Center, released a statement by email to the student body:

“Many Asian/Asian Americans and individuals of other racial backgrounds have been angered, hurt, and offended by these posters,” Yugawa wrote in a letter co-signed by directors of other groups at the university, such as the Latino Center and the LGBT Center. “The posters not only mocked an authorized campaign poster, but used negative and racist stereotypes that correlate with the discrimination and dehumanization of Asians. These posters go beyond affecting one individual or group, but offend all who have an understanding of how racist stereotypes impact our lives.

“Some may argue that we need to ‘lighten up’ and/or ‘reclaim’ the stereotypes and words that have harmed us and our communities. While it is one thing to mutually engage in this type of conversation, it is another to post stereotypical and racist language that is open to interpretation and hurtful to many. We cannot truly know how the content of these posters have triggered members of the Tufts community.”

I’m squarely in the “this shit is racist” camp. And, while I don’t expect that Kwak is going to receive any sort of formal action for his racism (nor am I certain that it would be appropriate), Kwak is being soundly denounced around the Asian American blogosphere for his apparent enjoyment in playing the anti-Asian minstrel for the non-Asian student body of Tufts University. In effect, Mr. Kwak’s only punishment is being called a moron publicly and by total strangers, in a far more extreme and expansive form than he perpetrated against Ms. Pang. And I think that’s punishment enough. The Asian American community should not be tolerant of anti-Asian hatespeech, whether emerging from within or outside the community; and while Kwak is free to say whatever the hell he feels like, I hope he understands that he will not be protected from looking like a jackass for spouting jackassery.

And Mr. Kwak, my friend, right now you look like a jackass.